The musical number shines in the adaptation of Dear Evan Hansen’s messy film | Screen | Pittsburgh

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Photo: Provided by Universal Studios / Pittsburgh Cultural Trust

Dear Evan Hansen At the Harris Theater

Dear Evan Hansen,
Today will be a good day. Why might you ask?
This movie wasn’t as dumpling fire as we expected.

Dear Evan HansenThe movie version of the 2016 hit Broadway musical is highly anticipated, but not always a good idea.

The premise is worrisome, to say the least. Evan Hansen (Ben Platt, replaying Broadway’s groundbreaking role) is a high school student suffering from depression and anxiety. His therapist told him to write a letter, and he does. I think he’s making fun of him because only the school bully Connor finds Evan’s letter and the letter mentions Connor’s sister Zoe. As soon as Connor took his life, his family found the letter and assumed that Connor wrote it, and I think he and Evan were best friends. Instead of telling the truth to Connor’s family, Evan is playing with him.

It’s not difficult enough, but it’s important to point out that Evan tried to clean up at first. It’s also worth noting that at first, not all of Evan’s intentions were bad. But when he becomes popular at school, begins to love Connor’s family, and begins dating Zoe, he does everything he can to prevent anyone from being found.

The talent of the cast cannot be denied. Pratt appears as a singer and actor, but the general criticism when the trailer was first dropped was how much older the character looked than expected. This was, to be honest, really distracting throughout the movie. It wasn’t Pratt’s fault, but it was obviously disappointing to see a 28-year-old man playing a 17-year-old boy. Yes, it has been done many times before, but it is not always the right choice. If the movie really wanted Broadway Evan, 19-year-old Andrew Feldman would have been a much better choice.

Kaitlyn Dever as Zoe and Amandla Stenberg as Alana were the thrift blessings of the film and seemed age-appropriate. To my surprise, Stenberg played a song that didn’t appear in the original musical. Alana and Evan share a moment to discuss mental health, which will be one of the only honest and deceptive moments the protagonist has with another character. In addition, Alana’s song “Anonymous” more clearly expresses the film’s message about the teenage mental health struggle than the actual plot.

Another issue was the placement of the songs. Most songs started very suddenly, despite efforts to blend seamlessly. “No Requiem,” sung by Dever, Amy Adams, and Danny Pino, was probably the most natural transition and the most successful. -I sang a song in the movie. The movie’s main song, “You Will Be Found,” was one of the best parts of the movie. The entire sequence, which features Evan singing during the construction of the project formed in Connor’s memory, added a modern and up-to-date spin to the song, and it was undoubtedly a powerful moment.

The film shows why the Broadway show had such an influence on catchy and beautiful songs, but the outliers are “If I Could Tell Her.” The song Evan sang to Zoe details “Connor” (that is, Evan). Notice her and tell her that he loves her. The song is creepy enough, but the fact that they almost kiss at the end makes it even worse.

Overall, movie problems can be attributed to inadequate plots.Cast and crew, including director Stephen Chbosky, who previously centered his hometown of Pittsburgh in the movie version of his book the perks of being a Wallflower, I did my best with the material given, but the problem is still clear. It was to expect a movie in which children would benefit themselves by taking advantage of someone’s suicide. Expressions of anxiety and mental health could not be far from the truth, except for Alana’s 10 minutes. This also surpassed the rest of the movie.

If you want to experience this emotional roller coaster Harris Theater has reopened For face-to-face screening of movies.

Dear Evan Hansen At the Harris Theater. Thursday, September 23-Thursday, October 14, 809 Liberty Ave., Downtown. $ 9-11.

The musical number shines in the adaptation of Dear Evan Hansen’s messy film | Screen | Pittsburgh

Source link The musical number shines in the adaptation of Dear Evan Hansen’s messy film | Screen | Pittsburgh

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