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Nagaya Forum, which hosts discussions on modern Christian music and its future | Faith and Values

Amy Grant, Michael W. Smith and Chris Tomlin were all successful.

For King and Country, so are Casting Crowns and Jeremy Camp.

However, future public debates raise the question, “What is contemporary Christian music?”

Jim Bates, a local rock historian, will hold the Past and Present of Contemporary Christian Music at the Next Low House Forum on January 21st at 7 pm at the Trust Performing Arts Center, 37 N. Market’s Square Hello Gallery. , Share insights about the future. Holy, Lancaster.

“The title of the speech really has to be’What is Contemporary Christian Music?’,” Bates says.

Christian music has been around for a long time, he says, and will always be. The real question is what will happen to the future of this genre.

Bates compares the early days of contemporary Christian music, which began with the “Jesus Music” movement in the 1960s, from the glorious times of the 80s and 90s to the present day.

“Many young people in the 1960s and 70s were disillusioned with the established church and produced music different from their parents. The lyrics focus on the newly discovered Christian faith,” he said. say.

Bates believes that contemporary music is evil in itself and remembers how many Christians pushed back modern Christian music during the early days.

“Holy secret talk”

RowHouse founder Tom Becker states that the gospel element of rock music has captured the imagination of younger generations of Christians, but its influence is largely limited to its own community.

“Christian music has turned into a’holy secret talk’rather than being part of the musical literacy of modern culture,” says Becker. “Sacred classical music is and is still a respected genre of music among non-Christians. Black gospel music remains perfect in the eyes of the general public. This new hybrid has little impact on the wider culture. “

He wants the people of the forum to see music as a language for artists and audiences to express their beliefs, explore doubts, and be completely human.

“This is a constant success of classical religious and gospel music and a gift to our broader culture,” he says.

Contemporary or popular variety of contemporary Christian music expresses songs of praise and worship to God, while traditional Christian music, hymns or gospel express songs about God.

Bob Dylan’s conversion to Christianity led to his first gospel album, “Slow Train Coming,” in 1979. More recently, pop star Justin Bieber and rapper Kanye West (who recently legally changed his name to Ye) have recorded a Christian album that reveals their beliefs.

Bates was centered around modern Christian music from the late 80’s to the 90’s, as music by Christian artists such as Amy Grant and Michael W. Smith was distributed in both the Christian and secular markets. I agree that it was the stage.

Grant’s 1985 album “Unguarded” was popular in both markets.



Jim Bates will discuss contemporary Christian music at upcoming Nagaya Forum events.




“Some see this as sold out, while others see it as a natural advance for talented artists to release great pop songs with Christian lyrics,” says Bates.

Later, she will be at the center of further criticism from the Christian music community for the frivolous hit “Baby, Baby.”

The future of the genre

Bates finds it interesting that contemporary artists and groups took one of two directions in 2000, when contemporary Christian music peaked in popularity. Others like Hillsong United wrote songs for modern worship performances.

Here are some of the popular contemporary Christian song titles that Bates discusses: “Places in this World” (Michael W. Smith); “InChrist Alone” (Keith and Kristyn Getty) and “Magnificent” (U2).

“The use of CCM songs in worship in many local churches continues to be a complex journey,” says Bates.

As a minister in the late 90’s and mid 2000’s, he remembers when members left the church because of too little contemporary music or too much traditional music.

Modern Christian music has been a factor in helping Megachurch grow from the 1970s to the present. However, Bates believes that the modern Christian music industry is somewhat fragmented and, in many respects, reflects the mainstream industry, returning to historic liturgy and tradition.

The final edition of CCM Magazine in April 2008 by singer-songwriter Charlie Peacock featured a favorite quote he believes is still relevant today. That is the future of music. “

Bates is an executive and faculty assistant at the Bible Counseling School, Christian Counseling and Education Foundation in Glenside, Montgomery County. He and his wife, Joy, live in Lancaster. They have five grown-up children and five grandchildren.

Row House, Inc., 413 College Avenue and Lancaster were founded by Becker in 2010. According to its vision statement, the group aims to engage in “the present culture with ancient beliefs.” The mission of a nonprofit is to “host warm hospitality, intentionally civilian, fully human, and usually whimsical public lectures and events.” In the forum, the speech will take 35-45 minutes, the question and answer session will take 30 minutes, and a light meal will be included.

Nagaya Forum, which hosts discussions on modern Christian music and its future | Faith and Values

Source link Nagaya Forum, which hosts discussions on modern Christian music and its future | Faith and Values

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