“Yellowstone” was popular from the beginning, but when Season 4 started a few seasons ago, its audience grew to an unprecedented rate.
Thanks to Dom Giordano’s curiosity for a biweekly segment (Friday 1:45 pm) on a radio show from noon to 3:00 pm, what’s back in part of the previous season and part of Season 4 confirmed. Suddenly, a fuss broke out, albeit late.
In a sense, I found the history of television.
Or, at least the major genre of television, Westerns, left horses and prairie behind in the 1980s and transformed into police, detective, or spy shows.
Paramount +’s “Yellowstone” provides all of the above scooch, with a bit of “Dynasty” and “Succession”.
Set in Montana, the show, starring executive producer Kevin Costner, has strong Western overtones. There are many horses and cowboys on the ranch, which has been owned by Costner’s family since the 19th century and protected from some of the interests of robbing him of the land. They include gangsters, families, and Native Americans who grazed the land before the first Dutton claimed to start raising cattle.
“Yellowstone” is wise enough to include the early passages of the ranch, bringing a classic Western element to the screen. This seems to be a recent trend in the witty revenge drama “The Harder They Fall”. And it will appear on the big screen with one of the Oscar candidates of this year, “Power of the Dog”.
Due to the fusion of the past and the present, standard Western elements such as “Bonanza” and “Gun Smoke” and the modern plot of the drama series where landowners and mogul often have to arm themselves to face the competition. there is. A determined competition to retain what he or his family has built.
In subsequent scenes, Dutton in the 1800s negotiates issues with native tribes and other landowners, and Dutton in the 2000s negotiates trucks instead of horses, and automatic weapons instead of rifles and six. You can see that. shooter.
“Dynasty” is a battle between Costner’s John Dutton and his daughter Beth, who played with Kelly Reilly’s power, and Wes Bentley’s son and brother Jamie, who are involved in the Montana stage. Appeared due to.
Writers Taylor Sheridan and John Linson can smoothly line up different times, situations and characters. They also have a strong sense of how to take the “Yellowstone” story further.
Season 4 begins with the aftermath of a total assault on Dutton and his ranch, which ended in Season 3. Fateful day.
Of course, Costner survives. One of the first shots of the new season was when his director found him by the side of the road where he wrote a description of his perpetrator’s car in the dusty soil next to where he fell. Shows that he has his eyes open.
“Yellowstone” is a fusion of past TV hits, something for everyone, but most of the time it’s a cohesive and interesting story that you keep watching.
Renner gets screen time
Jeremy Renner got a lot of exposure at the end of 2021.
He is the star of two shows that are drawing attention from TV viewers and news feeds dealing with TV.
One is Disney +’s “Hawkeye,” which replays the role he played in several films featuring Marvel Comics heroes. The other is Paramount +’s “Mayor of Kingstown”. He plays a person who separates and satisfies factions in an attempt to maintain peace in a corrupt town with seven prisons, 20,000 Michigan prisoners and 40,000 people. Protect them or play a private role in one of the facilities.
Usually, I’m not a fan of comic book figure-based TV shows. Stories tend to be stereotyped and are often used, making them obsolete. The drama diminishes a bit when someone has a superpower that can be summoned to solve the problem.
For the second time this year, the Marvel series has captivated me by taking the time to build that action sequence. Similarly, Disney +’s “WandaVision” introduced the character, creating a Sitcom spoof in the 1960s, and then embarking on a business to release Wanda and Vision to predators who didn’t realize it in the fifth most important way. Had fun. episode.
“Hawkeye” is also, especially as Hailee Steinfeld played last year’s “Avengers: Endgames: The Avengers: Endgame”. Before the second half of Episode 1 puts Hawkeye and Ronin / Kate into action, Hawkeye, or Clint Barton, enjoys Christmas with his family in New York, and Kate goes to a charity event to please his mother (Vera Farmiga). See the shots that are reluctantly participating. Following an attack by members of the Tracksuit Mafia.
Of course, there are more Kate than Hawkeye, but especially if he wants to hand over his role as an Avengers archer to Kate, he’ll be an ambitious and reluctant partner in a fight that needs his help. Become.
Unlike other occasions at the Marvel Show, I’m looking forward to seeing the third installment of “Hawkeye” on Wednesday. You can see the shade of “WandaVision” again.
I will continue to watch “Mayor of Kingstown”.
I thought it was well produced and written in that genre, but the show didn’t completely captivate me. It seemed too dark and one-sided to keep my interest. He also had to fight the urge to vomit every time the first episode switched to a scene where the mother of Renner’s character, played by Dianne Wiest, was teaching history in a female prison.
Talk about Hollywood promoting the story and imposing it on innocent viewers. Not to mention those poor prisoners. Weaste’s professor explains why I couldn’t give a gift to college during this time. She spits out history because activists want you to believe it, not as it is … even when she is a fact. (Hmm!)
Regaining me is a twist towards the end of Episode 1, and Renner’s Michael McCluskey is a new “in prison town” after the death of his brother, who appears to have had a better temperament for his position. Become a “mayor” or an arbitrator. ..
Mute the segment that Wiest teaches. Or keep the bucket nearby.
I hope “Annie” will be a live wonder
I do not know why. Perhaps it’s a cast, or maybe it’s a title character with Serena Smith belting her signature song. Whatever it is, I’m convinced that live TV on Broadway musicals may bring justice to the original stage.
The musical this time is “Annie”. This made the show a big hit when it came to New York from the Goodspeed Opera House in Connecticut, solidifying Dorothy Loudon’s fame, and Philadelphia’s Andrea McCardle appreciates the high bills throughout his life.
McCaddle was supposed to make a cameo appearance on this “Annie” TV show, which airs on NBC (Channel 10) at 8 pm Thursday, but dropped out because he was with his sick father. She would have played the newly invented role of Eleanor Roosevelt.
The actor you see gives me the belief that this may be a show around the corner and proves that television can handle part of a live theater. Called “Annie Live!”, The film starring Taraji P. Henson as a mean and conspiracy of the orphanage’s mother, Miss Hannigan. Harry Connick Jr. as Billionaire Daddy Warbucks. Tituss Burgess of “Miss Hannigan’s Jailbird Brothers, Unbreakable Kimmy Schmidt as Rooster”. Megan Hilty as his Doxy, Lily St. Regis (like a hotel); Nicole Scherzinger, Grace as an assistant to Warbucks, and Serena Smith as Annie.
Everyone except Henson and Shelzinger has made significant achievements on Broadway, with Taraji P. Henson everything from “empire” cookies to women finding and raising babies in “The Curious Case of Benjamin Button”. It has proved many times that it can play a role. To the chief mathematician of the “hidden person”, and to some.
This is not the first time. Other live attempts on Broadway featured Kristin Chenoweth, John Legend, Ariana Grande, Harvey Fierstein, Sean Hayes, etc., while Conic, Burgess, and Hilti have appeared on major shows. Had a number to carry or stop the show.
NBC has approached quality with “Jesus Christ Superstar” and “Hairspray”. Fox may have surpassed Peacock in “grease”. Probably the best bunch of desires, but the hit TV shows aren’t working.
There are two reasons. NBC’s “The Wiz” is a glorious example of a tragedy.
One is overkill. Television just doesn’t know how to get the show up. The story doesn’t unfold because it’s built for dangling. It does not pace the action to create high and low level actions. It asks you to love a product that is barely tolerable by being big and serious every minute. No one on the set, especially the director, understands that the part of the musical book needs to be as important as the numbers, or that the book needs to act as a play as if there were no songs. It seems.
The bomb ruined most of the live musicals I saw. NBC and other presenters need to trust the entire show and find the right balance. Otherwise, their production turns into a loud and exaggerated mess.
Another problem is the tendency to show on TV the technical mechanics used in production.
I don’t want to see the landscape move or the cast heading towards the set used following the commercial. I’m looking for a clean flow that focuses on the scene where the play gathers and engages like a stage, without worrying about how the play is mounted.
Usually, I’m not good enough to get rid of it early and come back to catch the number I like, or show what the TV is just a live show, as I did in “The Wiz”. Look at it with a surprised fear of what it is.
Henson and Conic are two of my favorites. Megan Hilty knows her business on stage. A tight and well-thought-out book by Thomas Meehan, “Annie” with a real story rather than a story that weaves songs. Changing the scene is easy. It is suitable for TV.
And of course, Charles Strouse-Martin Charnin’s score recommends singing together.
I’m crossing my fingers as my instinct is right for this.
Neal Zoren’s TV column is displayed every Monday.
Kevin Costner’s “Yellowstone” is a great mix of old and new
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